The Golden Future ~ 23
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| event type | discourse |
| date & time | 23 May 1987 am |
| location | Chuang Tzu Auditorium, Pune |
| language | English |
| audio | Available, duration 1h 28min. Quality: good. Live music after the discourse. |
| online audio | |
| video | Available, duration 1h 28min. Quality: no so good. |
| online video |
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| see also |
|
| online text | find the PDF of this discourse |
| shorttitle | GOLDEN23 |
- notes
- synopsis
- Reader of the questions: Ma Prem Maneesha.
- Question 1 from Maneesha
- Beloved Osho, what would be the form of education in the new commune?
- Question 2 from Satyadharma
- Beloved Osho, so now this: I'm a fairly good-looking guy with a pretty good tan, and I'm with a beautiful girlfriend, and I'm pretty intelligent. I meditate once in a while and I can play some chords on the guitar; and I know the difference between a pre-frontal lobotomy and a free bottle in front of me; so while everyone else is trying to find out why they can't be themselves, I'd like to know why I can't be Milarepa?
- Question 3 from Sw Milarepa
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- Beloved Osho, Paul Gaugin, the famous French painter, dropped out of society and lived the remainder of his life on an island in the South Pacific. Shortly before his death, he finished his last masterpiece, entitled "Who are we? Where do we come from? Where are we going?" About this he writes, "I have put all my energies into this work before dying -- a passion so painful, a vision so clear." The other morning you spoke to us about being creative, and being joyful with it, not sad. Osho, is there any more you can say about the role of creativity in your vision?
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