Adhyatma Upanishad ~ 11: Difference between revisions

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stitle = FINGER11 & THOU45 |
stitle = FINGER11 & THOU45 |
notes =  See [[Talk:Osho Timeline 1972#That Art Thou]]. English part of this event published as ''That Art Thou'' #45<br>CD-ROM about ''That Art Thou'': "Originally titled "Sarvasar Upanishad" (first 17 discourses at Matheran), "Kaivalya Upanishad" (second 17 discourses at Mt. Abu) and "Adhyatma Upanishad" (last 17 discourses at Mt. Abu). Discourses were in Hindi and English, the tapes produced as "That Art Thou" are the English parts." |
notes =  See [[Talk:Osho Timeline 1972#That Art Thou]]. English part of this event published as ''That Art Thou'' #45<br>CD-ROM about ''That Art Thou'': "Originally titled "Sarvasar Upanishad" (first 17 discourses at Matheran), "Kaivalya Upanishad" (second 17 discourses at Mt. Abu) and "Adhyatma Upanishad" (last 17 discourses at Mt. Abu). Discourses were in Hindi and English, the tapes produced as "That Art Thou" are the English parts." |
syn = Reader of the sutras/questions: [[Ma Yoga Taru]], also chanting. |
syn = Reader of the sutra: [[Ma Yoga Taru]], also chanting.
 
:English part:
::The sutra
:::At the time of this samadhi, the moods of the mind take the form of the soul, and therefore they are not apparent.
:::But after the meditator has come back from his samadhi, those moods which had disappeared, are inferred by memory.
:::In this world, which is without a beginning, one accumulates millions of karmas conditioning from actions. They are all destroyed in this samadhi, and inner spontaneous qualities grow.
:::The great knowers of yoga describe this samadhi as dharmamegha, because it showers like a raincloud and inner spontaneity issues forth its thousand fruit.
:::Through this samadhi the whole crowd of desires become extinct. And when the holds of karma known as punya and papa, virtue and sin are uprooted, then the great saying -- "tat twamasi," that art thou -- becomes illumined.
:::First as indirect knowledge and then as a fruit held in your palm, it becomes direct knowledge.
 
 
:([[Glossary#source_of_quotes_in_the_synopsis|source:''CD-ROM'']])
|
prevevent = Adhyatma Upanishad ~ 10 |
prevevent = Adhyatma Upanishad ~ 10 |
nextevent = Adhyatma Upanishad ~ 12 |
nextevent = Adhyatma Upanishad ~ 12 |

Revision as of 05:19, 10 May 2019

अध्यात्म उपनिषद ~ 11

event type discourse
date & time 18 Oct 1972 pm
location Mount Abu, meditation camp
language Hindi & English
audio Available, duration 1h 50min. Quality: good (under revision).
online audio
video Not available
online video
see also
online text find a PDF of this event
shorttitle FINGER11 & THOU45
notes
See Talk:Osho Timeline 1972#That Art Thou. English part of this event published as That Art Thou #45
CD-ROM about That Art Thou: "Originally titled "Sarvasar Upanishad" (first 17 discourses at Matheran), "Kaivalya Upanishad" (second 17 discourses at Mt. Abu) and "Adhyatma Upanishad" (last 17 discourses at Mt. Abu). Discourses were in Hindi and English, the tapes produced as "That Art Thou" are the English parts."
synopsis
Reader of the sutra: Ma Yoga Taru, also chanting.
English part:
The sutra
At the time of this samadhi, the moods of the mind take the form of the soul, and therefore they are not apparent.
But after the meditator has come back from his samadhi, those moods which had disappeared, are inferred by memory.
In this world, which is without a beginning, one accumulates millions of karmas conditioning from actions. They are all destroyed in this samadhi, and inner spontaneous qualities grow.
The great knowers of yoga describe this samadhi as dharmamegha, because it showers like a raincloud and inner spontaneity issues forth its thousand fruit.
Through this samadhi the whole crowd of desires become extinct. And when the holds of karma known as punya and papa, virtue and sin are uprooted, then the great saying -- "tat twamasi," that art thou -- becomes illumined.
First as indirect knowledge and then as a fruit held in your palm, it becomes direct knowledge.


(source:CD-ROM)


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